ARTEFACT GALLERY #3.4

Măști Populare

Proposed by: Noemi Anca Ganea (Project Manager)

Maramures County Council
Technical Specifications

Name

Măști Populare / Traditional Masks

Tipology

Decorative item

Authorship

Vasile Șușca

Date or period:

Current

Materials:

Textile remnants left over from tailoring – cloth, furs, fabric scraps

Techniques:

Leather drawing and cutting, sewing

Country/ region:

Săcel, Maramures, Romania

The traditional ritual masks of Maramureș are examples of rural resourcefulness. Historically, they were connected to the traditional folk theatre Viflaim and the “elders of the seasons”, used in rituals meant to drive away spirits. Although these specific customs have largely disappeared, the craft itself survives as a testament to ancestral ingenuity.

At their core, the traditional masks were improvised artifacts. They relied entirely on repurposed rural and agricultural elements: an old sheepskin vest was given a second life, featuring two holes for the eyes, a dried corn cob for a nose, and beans for teeth.

Today, Vasile Șușca (officially recognized in Romania as a “Living Human Treasure”) has elevated this sustainable tradition with his distinctive style. Rooted in his childhood habit of salvaging leftover fur scraps from his father’s tailoring workshop, Șușca works exclusively with natural, organic materials like ram horns, boar tusks, and walnut shells. Rather than blindly replicating historical models, he infuses the masks with profound expressiveness and peasant humor, to capture the complexities of human nature. His work transforms everyday materials from the rural household into highly valued folk art, proving that upcycling and the principles of a circular economy have long been an essential part of rural craftsmanship.

DETAILS

Detail of the Măști Populare.

Inspiration

Example of traditional Romanian folk mask from Maramureș. (photograph by CEllen / Wikimedia Foundation)

Location


The selection of this artefact is the responsibility of designer Maria Bruno Néo and is part of her doctoral work ‘A HISTÓRIA INCOMPLETA DO DESIGN PORTUGUÊS: CONTRIBUTOS PARA A INSCRIÇÃO DA DESIGNER HELENA CARDOSO/THE INCOMPLETE HISTORY OF PORTUGUESE DESIGN: CONTRIBUTIONS TO THE INSCRIPTION OF DESIGNER HELENA CARDOSO’ supervised by Professors Susana Barreto and Luís Mendonça, both from the Faculty of Fine Arts at the University of Porto/Portugal.