ARTEFACT GALLERY #3.7

Praznični Okraski

Proposed by: Rok Mrvič (Reseacrher)

ZRC SAZU
Technical Specifications

Name

Praznični Okraski / Holiday ornaments

Tipology

Leatherwork

Authorship

Klemen Urbanija and Janja Stopinšek (Jaya Life)

Date or period:

2023

Materials:

Leather blanks, cotton or synthetic thread, natural fiber thread (for the ornament hanger)

Techniques:

Leather trimming, edge finishing, hole punching, decorative stitching

Country/ region:

Central Slovenia, Slovenia

This leather holiday ornament is distinctive in the way it bridges traditional craftsmanship with contemporary contexts of use while emphasizing principles of material efficiency. Its authors, Klemen Urbanija and Janja Stopinšek, draw on established leatherworking techniques while adapting them for accessibility and repeatability, making them easier to share with wider audiences at workshops, particularly for children. In doing so, they promote the possibilities of homemade and handmade ornament design while introducing leather as a reused and repurposed creative material.

This approach is especially significant, as both makers emphasize the use of natural materials and production methods that generate minimal waste. Durable natural leather is central to this process, since it offers longevity. Leather holiday ornaments thus support waste reduction and the reuse of leather offcuts, aligning a traditional craftsmanship mentality with contemporary concerns for sustainability and responsible material practices.

DETAILS

Details of the decorative stitching and the leather texture on both sides of the ornament. (Photograph: Rok Mrvič, ZRC SAZU)

Inspiration

Snowflakes, with their intricate crystal structures, have inspired numerous modern interpretations and have become a popular winter motif.
(Photograph: Saša Poljak Istenič, ZRC SAZU)

The authors demonstrate techniques used in other leatherwork products, which are adapted and simplified for the production of the Praznični okraski.
(Photograph: Rok Mrvič, ZRC SAZU)

Location


The selection of this artefact is the responsibility of designer Maria Bruno Néo and is part of her doctoral work ‘A HISTÓRIA INCOMPLETA DO DESIGN PORTUGUÊS: CONTRIBUTOS PARA A INSCRIÇÃO DA DESIGNER HELENA CARDOSO/THE INCOMPLETE HISTORY OF PORTUGUESE DESIGN: CONTRIBUTIONS TO THE INSCRIPTION OF DESIGNER HELENA CARDOSO’ supervised by Professors Susana Barreto and Luís Mendonça, both from the Faculty of Fine Arts at the University of Porto/Portugal.